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<channel>
	<title>giuseppe la spada artist</title>
	<link>https://art.giuseppelaspada.com</link>
	<description>giuseppe la spada artist</description>
	<pubDate>Sat, 06 Jun 2026 12:28:03 +0000</pubDate>
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	<language>en</language>
	
		
	<item>
		<title>Aphar</title>
				
		<link>https://art.giuseppelaspada.com/Aphar-1</link>

		<pubDate>Tue, 22 May 2018 09:16:06 +0000</pubDate>

		<dc:creator>giuseppe la spada artist</dc:creator>

		<guid isPermaLink="true">https://art.giuseppelaspada.com/Aphar-1</guid>

		<description>
	“Aphar: the origin of life”

2015 Fine Art Photography


&#60;img width="1001" height="1500" width_o="1001" height_o="1500" data-src="https://freight.cargo.site/t/original/i/fe8d1ee5bfbc8ae53e177ddbc31fa3519e06ebd2f2b4ea8cd43e859364419b07/Giuseppe_La_Spada_Origin_of_Life.jpg" data-mid="41336287" border="0"  src="https://freight.cargo.site/w/1000/i/fe8d1ee5bfbc8ae53e177ddbc31fa3519e06ebd2f2b4ea8cd43e859364419b07/Giuseppe_La_Spada_Origin_of_Life.jpg" /&#62;
&#60;img width="1002" height="1500" width_o="1002" height_o="1500" data-src="https://freight.cargo.site/t/original/i/fe5a6a0a39fec9cb1f3680125bcd9dd6e15bee416f7dcd782a850e7eebbb90ec/Giuseppe_La_Spada__Aphar.jpg" data-mid="41336285" border="0"  src="https://freight.cargo.site/w/1000/i/fe5a6a0a39fec9cb1f3680125bcd9dd6e15bee416f7dcd782a850e7eebbb90ec/Giuseppe_La_Spada__Aphar.jpg" /&#62;


	
“Ho chiamato questa serie di foto Aphar che significa sia respiro che cenere, significa inizio&#38;nbsp;e allo stesso tempo fine e per me ancora inizio e ancora ciclo. 
Credo ci sia una dimensione che è allo stesso tempo acqua e spazio infinito, profondità e immensità, governatadall’impermanenza, dal divenire. Come è nata la vita sulla terra? Mi sono imbattuto 
in questa Teoria che suppone la pomice come culla della vita. 
Ho chiesto all’astrobiologo Sean McHanon (NASA Ames Research Center, USA e Co-director, UK Centre for Astrobiology) di scrivere un testo sia sulla teoria della pomice che sul mio lavoro.”
Giuseppe La Spada

	



	“La Pomice e' una roccia vulcanica, una tipologia di lava pietrificata coperta di buchi, che si formo' rapidamente quando i gas si espandettero durante delle eruzioni.Sono i fori a rendere la pomice cosi' leggera da poter galleggiare nell'acqua.
A volte, le eruzioni vulcaniche producono enormi zattere di pomice che vagano per i mari, fino a che i fori si riempiono dalle incrostazioni di alghe e batteri, facendo affondare le pomici.Per cui, dopo pochi anni dopo l'eruzione, la pomice viaggia attraverso diversi ambienti dal caldo del vulcano alla superficie dell'oceano, fino agli abissi.Questa e' la ragione per cui abbiamo piu' volte suggerito che la pomice abbia giocato un ruolo importante nelle origini della vita, fornendo un'ampia superficie combinata - l'ampio numero di piccoli compartimenti (i fori) che, riempita di minerali catalitici, haattraversato i diversi contesti psico-chimici differenti che hanno contribuito alla creazione.”“Vedo nel lavoro di Giuseppe l'energia, il dinamismoe la fragilità della vita contrastata dal desolato, crudele silenzio dello spazio che ci circonda. L'universo che ci ha creati ci è anche estremamente ostile.La vita è emersa da forze mortali: acque profonde e rocce fuse".



Sean McMahon(NASA Ames Research Center, USA e Co-director, UK Centre for Astrobiology)
	


	ENG 
Aphar means breathe as well as ash,beginning as well as ending and for menew beginnings and new cycles.I believe there is a dimension that is bothwater and infinite space, depth and immensity,ruled by the impermanence,by the becoming.


Giuseppe La Spada
Pumice is a volcanic rock, a kind of frozen lava peppered with little holes, which formed when gases expanded rapidly during an eruption. These holes make pumice so light thatit can float on water. Sometimes volcanic eruptions produce huge rafts of pumice that float around on the sea until the holes are filled by encrusting algae and bacteria (or chemical slime), causing them to sink. Thus, in the few years after it erupts, pumice can travel through many environments, from the hot volcano to the surface of the ocean and finally the seafloor. This is why we have suggested that pumice may have played a role in the origin of life, by providing a large number of tiny compartments (the holes) with alarge combined surface area, often lined with catalytic minerals, and by passing through a series of different physicochemical conditions, each with its own contribution to make.
I see in Giuseppe's work the energy, dynamism and fragility of life contrasted with the bleak, cruel silence of the space that surrounds us. The universe that created us is also extremely hostile. Life emerged from deadly forces: deep water and molten rocks.

Sean McMahon(NASA Ames Research Center, USA e Co-director, UK Centre for Astrobiology)


	



&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/d208b6e148ec6bc7b528e47608bcb647346105a1ea181b144b600f3e41cb2091/Giuseppe_La_Spada__0844.jpg" data-mid="41336288" border="0"  src="https://freight.cargo.site/w/1000/i/d208b6e148ec6bc7b528e47608bcb647346105a1ea181b144b600f3e41cb2091/Giuseppe_La_Spada__0844.jpg" /&#62;
&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/30fd23e32c64675b03d8ec5f28abfb51d4c65fac1b5f9ab6cf89ce02cf9b5325/Giuseppe_La_Spada__5516.jpg" data-mid="41336284" border="0"  src="https://freight.cargo.site/w/1000/i/30fd23e32c64675b03d8ec5f28abfb51d4c65fac1b5f9ab6cf89ce02cf9b5325/Giuseppe_La_Spada__5516.jpg" /&#62;
&#60;img width="671" height="1000" width_o="671" height_o="1000" data-src="https://freight.cargo.site/t/original/i/94e2ae38f9f3d17d73d357d18e979f2bab197122fd67bd98271647fc489a6052/aphar8cut.jpg" data-mid="44022732" border="0"  src="https://freight.cargo.site/w/671/i/94e2ae38f9f3d17d73d357d18e979f2bab197122fd67bd98271647fc489a6052/aphar8cut.jpg" /&#62;
&#60;img width="1000" height="671" width_o="1000" height_o="671" data-src="https://freight.cargo.site/t/original/i/16291edcce5fa54691d7ee99f5b4e58caa47ea2ed57b681dc69b78c7d4e02055/aphar7cut.jpg" data-mid="44022871" border="0"  src="https://freight.cargo.site/w/1000/i/16291edcce5fa54691d7ee99f5b4e58caa47ea2ed57b681dc69b78c7d4e02055/aphar7cut.jpg" /&#62;

	

Exhibitions / Mostre:&#38;nbsp;2015 “La Triennale di Milano”
2016 “Mia Photo Fair” Milano
2016 “Seaport South Street Museum” New York
2016 “Luisa Catucci Gallery” Berlin
2017 “Museo Oceanografico” Monaco
2023 “Museo Arte Contemporanea” Alcamo
2023 “Centro Internazionale di Fotografia Letizia Battaglia” Palermo
2024 “Palazzo della Cultura” Catania
2024 “Istituto italiano di Cultura” Belgrado
2025 “Nel divenire” Santa Tecla 
2025 “Essere Acqua” Castello di Spadafora


	

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		<title>Collapsing</title>
				
		<link>https://art.giuseppelaspada.com/Collapsing</link>

		<pubDate>Thu, 27 Oct 2016 13:35:00 +0000</pubDate>

		<dc:creator>giuseppe la spada artist</dc:creator>

		<guid isPermaLink="true">https://art.giuseppelaspada.com/Collapsing</guid>

		<description>Collapsing2015 Polyptych


	
&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/19044e1f2a1a74a06613e36a94bde12257c902dc9c2307a5a06f22824be647a6/Giuseppe_La_Spada_Collapsing_1.jpg" data-mid="233130510" border="0"  src="https://freight.cargo.site/w/1000/i/19044e1f2a1a74a06613e36a94bde12257c902dc9c2307a5a06f22824be647a6/Giuseppe_La_Spada_Collapsing_1.jpg" /&#62;
&#60;img width="1001" height="1500" width_o="1001" height_o="1500" data-src="https://freight.cargo.site/t/original/i/70f163ed66c673eca250bb56a78635a666e0ee5eb7852d57245921425742c4d8/Giuseppe_La_Spada_Collapsing_2.jpg" data-mid="233130512" border="0"  src="https://freight.cargo.site/w/1000/i/70f163ed66c673eca250bb56a78635a666e0ee5eb7852d57245921425742c4d8/Giuseppe_La_Spada_Collapsing_2.jpg" /&#62;
&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/bdd17f6c46888e8b60eb0bc1a8077970744acd24c80bd14481d90abd8b93506e/Giuseppe_La_Spada_Collapsing_3.jpg" data-mid="233130514" border="0"  src="https://freight.cargo.site/w/1000/i/bdd17f6c46888e8b60eb0bc1a8077970744acd24c80bd14481d90abd8b93506e/Giuseppe_La_Spada_Collapsing_3.jpg" /&#62;
&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/10a0ce76b9a37fe74c0a8e60ca1ac7c6927f4bdc5a8a859738b2a11a92543a06/Giuseppe_La_Spada_Collapsing_4.jpg" data-mid="233130516" border="0"  src="https://freight.cargo.site/w/1000/i/10a0ce76b9a37fe74c0a8e60ca1ac7c6927f4bdc5a8a859738b2a11a92543a06/Giuseppe_La_Spada_Collapsing_4.jpg" /&#62;


	
This series was inspired by a famous quote by Picasso, who said, ‘I don't imitate nature, I work like her.’ Playing on the metaphor of overheating, I overheated the computer’s processors and created a patch to measure their temperature, resulting in an image sorting process that, paradoxically, turns out to be very similar to organic melting, almost like collapsing glaciers.
Exhibitions: 

2015 “La Triennale di Milano”(ITA)2016 “Mia Photo Fair” Milano (ITA)2016 “Seaport South St. Museum” New York (USA)2017 “Luisa Catucci Gallery” Berlin (GER)
2019 “NM Contemporary Gallery” Principality of Monaco (MCO)2025 “Essere Acqua” Castello di Spadafora (ITA)
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	<item>
		<title>Eyes On Water</title>
				
		<link>https://art.giuseppelaspada.com/Eyes-On-Water</link>

		<pubDate>Sat, 06 Jun 2026 12:28:03 +0000</pubDate>

		<dc:creator>giuseppe la spada artist</dc:creator>

		<guid isPermaLink="true">https://art.giuseppelaspada.com/Eyes-On-Water</guid>

		<description>

Eyes on Water: always different,
always the same.&#38;nbsp;2026 Audio visual Installation
























Human Eye + Computational Eye














Towards a Computational Atlas of Water Motion


	

	The project is structured as a sustained dialogue between two irreducible modes of observation. Neither is primary. Neither is complete alone. Human vision brings sensory presence, emotional resonance, cultural memory, and poetic interpretation — the capacity to be moved by what is seen. Computational vision brings motion analysis, turbulence metrics, pattern recognition, and statistical modelling — the capacity to see what human perception cannot resolve.
 
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4e37bd3d98036fbb26fcb601638b0bb3cac076a42157805ecdcadc3f3738fb29/resume.jpg" data-mid="249367883" border="0"  src="https://freight.cargo.site/w/1000/i/4e37bd3d98036fbb26fcb601638b0bb3cac076a42157805ecdcadc3f3738fb29/resume.jpg" /&#62;
	

	


	00 ARTIST STATEMENT
 



Water has always eluded complete understanding. I have observed it for more than twenty years — through photography, moving image, sound, performance, and long-form interdisciplinary research — across rivers, coastlines, glaciers, and open ocean. In every encounter, water has remained what it always is: the same. 


























01 CONCEPTUAL FRAMEWORK The Invariant 















The central proposition of Eyes on Water is simple and radical: water is always the same. This claim operates simultaneously across three registers — biological, physical, and mystical — and the project holds all three in tension throughout.&#38;nbsp;Biologically, it is the structural matrix of all life. Physically, it moves according to a grammar that does not change — the universal statistical laws of turbulence described by Kolmogorov. Mystically, it is the source from which we emerge and to which, as Raimon Panikkar understood, we return. Eyes on Water begins with this constancy and asks what new forms of attention it makes possible. The project couples human observation with computational vision to build a growing atlas of water motion — recorded across different geographies, climates, and environmental conditions, and subjected to a rigorous framework of fluid-dynamics analysis: optical flow, vorticity mapping, turbulence spectra, chromatic indices, fractal dimension. 
 




02 COMPUTATIONAL OBSERVATION FRAMEWORK












I have created a computational observation framework that extracts hydrodynamic signatures from real water footage through computer vision, with Four Classes of Signature &#38;nbsp;on Motion, Turbulence, Complexity, Chromatic &#38;amp; Environmental.






&#60;img width="1600" height="906" width_o="1600" height_o="906" data-src="https://freight.cargo.site/t/original/i/589748dc2f0993c1afd51de9271aa67431c04971c5e7f598083f78731509d733/3.jpg" data-mid="249204582" border="0"  src="https://freight.cargo.site/w/1000/i/589748dc2f0993c1afd51de9271aa67431c04971c5e7f598083f78731509d733/3.jpg" /&#62;
&#60;img width="1600" height="906" width_o="1600" height_o="906" data-src="https://freight.cargo.site/t/original/i/89cd9fdb22c00cb63382cc208235f18be93acc7b437bd1607d283d84cdeb451d/2.jpg" data-mid="249204581" border="0"  src="https://freight.cargo.site/w/1000/i/89cd9fdb22c00cb63382cc208235f18be93acc7b437bd1607d283d84cdeb451d/2.jpg" /&#62;

The computational instruments are not the subject. They are a means of encountering dimensions of water that have always been present 
but remained inaccessible to unaided perception. What the algorithms reveal is not a reduction of water to data 
— it is an expansion of intimacy with it.
03 EXHIBITION FORMATS Primary Installation — Three-Screen Configuration
 




&#60;img width="2944" height="1648" width_o="2944" height_o="1648" data-src="https://freight.cargo.site/t/original/i/2b3791b8cbe9c802e3183de93e461ed0278846f34a0a073826d6eb48ba78b2c1/3-led.jpg" data-mid="249204565" border="0"  src="https://freight.cargo.site/w/1000/i/2b3791b8cbe9c802e3183de93e461ed0278846f34a0a073826d6eb48ba78b2c1/3-led.jpg" /&#62;

04 SCIENTIFIC COLLABORATION
An Open Research Platform The project connects to a lineage of interdisciplinary thinking in which science and art have converged around water as subject: from Kolmogorov's statistical turbulence to Gaston Bachelard's phenomenology of the aquatic imagination; from Emilio Del Giudice's quantum coherence of biological water to the cosmological insight that all water on Earth is ancient, arrived via cometary impact, continuously recycled and never replaced. The atlas is a meeting point for all of these perspectives.
&#60;img width="1600" height="957" width_o="1600" height_o="957" data-src="https://freight.cargo.site/t/original/i/a2b02d9bd80ad5aab0a8a0bd30e525cbf4a27c935f24ff4224be8c229661d21d/4.jpg" data-mid="249204585" border="0"  src="https://freight.cargo.site/w/1000/i/a2b02d9bd80ad5aab0a8a0bd30e525cbf4a27c935f24ff4224be8c229661d21d/4.jpg" /&#62;











Current implementation should be considered an estimated indicator derived from video observations and not a direct physical measurement.




 Through science, we discover recurring laws. Through art, we encounter what remains unknowable. Between these two perspectives, water appears not merely as a resource, but as a living archive of planetary memory.











"The most beautiful thing we can experience is the mysterious. 

It is the source of all true art and all science.”



— Albert Einstein










</description>
		
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	<item>
		<title>Life</title>
				
		<link>https://art.giuseppelaspada.com/Life</link>

		<pubDate>Fri, 06 Mar 2026 11:38:24 +0000</pubDate>

		<dc:creator>giuseppe la spada artist</dc:creator>

		<guid isPermaLink="true">https://art.giuseppelaspada.com/Life</guid>

		<description>”LIFE”
2026 &#124; video installation (projections on fabric)


	Life, like the moment before birth&#38;nbsp;
a sound, a wave. The fragmentation of experiences, 
detachment from everything, the return 
and so on, ad infinitum.Giuseppe La Spada


	




</description>
		
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	<item>
		<title>Fluido Poetica</title>
				
		<link>https://art.giuseppelaspada.com/Fluido-Poetica</link>

		<pubDate>Fri, 06 Mar 2026 09:41:12 +0000</pubDate>

		<dc:creator>giuseppe la spada artist</dc:creator>

		<guid isPermaLink="true">https://art.giuseppelaspada.com/Fluido-Poetica</guid>

		<description>”FLUIDO POETICA”
2026 &#124; video installation

&#60;img width="4000" height="2668" width_o="4000" height_o="2668" data-src="https://freight.cargo.site/t/original/i/5d62a7addffbcc1ad9178e4f78652feccd0150fb5e37458ed065101c4f7caf67/_GLS3514.jpg" data-mid="245687837" border="0"  src="https://freight.cargo.site/w/1000/i/5d62a7addffbcc1ad9178e4f78652feccd0150fb5e37458ed065101c4f7caf67/_GLS3514.jpg" /&#62;
	“Fluido Poetica” is the communication between us and the sea, or rather that hidden language represented by the waves that reach the shore and which we are unable to decode: all waves carry information.
	


&#60;img width="4000" height="2668" width_o="4000" height_o="2668" data-src="https://freight.cargo.site/t/original/i/637bcad299e2ef7237745cf3c639f85f6f11e8a27c23983f34acebae4155e722/_GLS3476.jpg" data-mid="245687854" border="0"  src="https://freight.cargo.site/w/1000/i/637bcad299e2ef7237745cf3c639f85f6f11e8a27c23983f34acebae4155e722/_GLS3476.jpg" /&#62;video projections on fabric








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		<title>Disappointing Clothes</title>
				
		<link>https://art.giuseppelaspada.com/Disappointing-Clothes</link>

		<pubDate>Thu, 20 Sep 2018 21:15:21 +0000</pubDate>

		<dc:creator>giuseppe la spada artist</dc:creator>

		<guid isPermaLink="true">https://art.giuseppelaspada.com/Disappointing-Clothes</guid>

		<description>
“Disappointing Clothes”2018 Fine Art Photography

&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/31037efaaded69126743270176f3266df5eb0ba1b0585b6939499ff307d2ba60/_DSC9276_2.jpg" data-mid="41336279" border="0"  src="https://freight.cargo.site/w/1000/i/31037efaaded69126743270176f3266df5eb0ba1b0585b6939499ff307d2ba60/_DSC9276_2.jpg" /&#62;

	

Every human being leaves a mark in their wake. As human beings, we will leave three hallmarks of this era: plastic, concrete and steel. This image metaphorically represents the ‘clothes’ we are shedding; in this case, plastic from agricultural greenhouses, which immediately struck me as garments of a marble-like conceptual weight.“I lived in the shoes of a human being at the end of the millennium. Like him, I stripped myself of those old clothes. I too left my mark forever on this disheartening journey.”Giuseppe la Spada
 
Exhibition:
2023 “MACA Museo Arte Contemporanena” Alcamo (ITA)
	
</description>
		
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	<item>
		<title>Sakamoto "Shizen no Koe"</title>
				
		<link>https://art.giuseppelaspada.com/Sakamoto-Shizen-no-Koe</link>

		<pubDate>Thu, 27 Oct 2016 13:33:58 +0000</pubDate>

		<dc:creator>giuseppe la spada artist</dc:creator>

		<guid isPermaLink="true">https://art.giuseppelaspada.com/Sakamoto-Shizen-no-Koe</guid>

		<description>

SHIZEN NO KOE (The Voice of Nature)&#38;nbsp;

2015 Installazione Interattiva, musica originale di Ryuichi Sakamoto

	
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/464607689f19b26c88437887958a8567879518fa16a6042c623060dd0f312557/Giusepppe_La_Spada_Ryuichi_Sakamoto.jpg" data-mid="41336277" border="0"  src="https://freight.cargo.site/w/1000/i/464607689f19b26c88437887958a8567879518fa16a6042c623060dd0f312557/Giusepppe_La_Spada_Ryuichi_Sakamoto.jpg" /&#62;
&#60;img width="978" height="648" width_o="978" height_o="648" data-src="https://freight.cargo.site/t/original/i/4e739909d1f111ec844341cf2662d534457d18bcd5d08187553ebd5a03c1aa18/Schermata-2017-09-20-alle-09.13.56.png" data-mid="41336278" border="0" data-scale="36.31907603159274" src="https://freight.cargo.site/w/978/i/4e739909d1f111ec844341cf2662d534457d18bcd5d08187553ebd5a03c1aa18/Schermata-2017-09-20-alle-09.13.56.png" /&#62;



	The Voice of Nature, and Water in particular, have maintained their rhythm and balance for millennia. 
Humanity attempts to dominate nature, abusing and violating its original flow.
The concept and mechanics of this installation are very simple. Visitors to the exhibition enter a room and hear the Voice of Nature (Shizen No Koe - an original composition by Ryuichi Sakamoto), watch a video of flowing water and encounter a small pool of water that they can touch. Touching the water alters the sound and, at the same time, the video, demonstrating how our touch today alters the flow of Nature, which has remained unchallenged for millennia.
Sounds and Video reacts to water touch
	



	



 


	“Ed è proprio la voce del pianeta che il grande maestro Ryuichi Sakamoto ha cercato di riprodurre nel brano Shizen No Koe (La Voce Della Natura), colonna sonora originale del progetto di La Spada. Il brano avanza lentamente, per cicli sonori (tipico della musica minimale di cui Sakamoto è uno dei massimi esponenti), con suoni sintetici vibranti come molecole d’acqua in agitazione.Il senso di immersione, di avvolgimento, è totale: il brano di Sakamoto è un battito cardiaco sotterraneo, un pulsare vivo e biologico che si eleva verso l’alto a ondate regolari. Una perfetta lettura del nostro universo-mondo in chiave musicale reso vivo da un puntinismo che squarcia il tessuto d’accompagnamento per venire in superfice, come bolla d’ossigeno. Potete trovare il &#38;nbsp;video, per la prima volta mostrato in versione integrale, di Shizen No Koe nella nostra gallery. Un’occasione per ascoltare l’acqua, la vita e il nostro pianeta”&#38;nbsp;

Vogue italia di Simone Tempia
	
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	<item>
		<title>Water Collection</title>
				
		<link>https://art.giuseppelaspada.com/Water-Collection</link>

		<pubDate>Tue, 15 Jun 2021 09:20:07 +0000</pubDate>

		<dc:creator>giuseppe la spada artist</dc:creator>

		<guid isPermaLink="true">https://art.giuseppelaspada.com/Water-Collection</guid>

		<description>
“Water Collection around the world”
Photography - Open project


&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/5f6e596e54f5541ab403cf8d071991e4757d861ef6fb3de2b1762eda06ce51d7/Giuseppe-La-Spada_20Giuseppe-La-Spada_20-UNCONTAMINATED-PLACES.jpg" data-mid="111390037" border="0" alt="Canada" data-caption="Canada" src="https://freight.cargo.site/w/1000/i/5f6e596e54f5541ab403cf8d071991e4757d861ef6fb3de2b1762eda06ce51d7/Giuseppe-La-Spada_20Giuseppe-La-Spada_20-UNCONTAMINATED-PLACES.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/82f75a5c9951bac2fb720d62fd22f93ef37dc201d388c8d22c397e039a9d791d/Giuseppe-La-Spada_2014_Mizu.jpg" data-mid="111390128" border="0" alt="Dubai" data-caption="Dubai" src="https://freight.cargo.site/w/1000/i/82f75a5c9951bac2fb720d62fd22f93ef37dc201d388c8d22c397e039a9d791d/Giuseppe-La-Spada_2014_Mizu.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/2a13f584ee1dbc54322db667bf3cb182d4368e71d6f373def44ee01b6300e77e/Giuseppe-La-Spada_2011_NATURAL-HOURGLASS_web.jpg" data-mid="111390043" border="0" alt="Iceland" data-caption="Iceland" src="https://freight.cargo.site/w/1000/i/2a13f584ee1dbc54322db667bf3cb182d4368e71d6f373def44ee01b6300e77e/Giuseppe-La-Spada_2011_NATURAL-HOURGLASS_web.jpg" /&#62;
&#60;img width="1498" height="1000" width_o="1498" height_o="1000" data-src="https://freight.cargo.site/t/original/i/c4c2f1b1cbce798db85e33e53f570538af34ae6ea8aa3bd9800939c010cd5bf1/_GLS2046.jpg" data-mid="111389842" border="0" alt="Milazzo" data-caption="Milazzo" src="https://freight.cargo.site/w/1000/i/c4c2f1b1cbce798db85e33e53f570538af34ae6ea8aa3bd9800939c010cd5bf1/_GLS2046.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/531786103b9fb6c9b898249067905edca5a978157ec39811c81b638e50cb4baf/_MG_8160.jpg" data-mid="111392311" border="0" alt="Milazzo" data-caption="Milazzo" src="https://freight.cargo.site/w/1000/i/531786103b9fb6c9b898249067905edca5a978157ec39811c81b638e50cb4baf/_MG_8160.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/9b6d1f853afd66278cbeff87f5e91d7fe0b944c1802203ebaf6c24a2b02fce57/_GLS3951_2.jpg" data-mid="111389828" border="0" alt="Lipari Island" data-caption="Lipari Island" src="https://freight.cargo.site/w/1000/i/9b6d1f853afd66278cbeff87f5e91d7fe0b944c1802203ebaf6c24a2b02fce57/_GLS3951_2.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/36d3e65e1419e46c2cf626dde4a5a69fbf496defad498cd3c637ff2e82bfff9b/_GLS3679.jpg" data-mid="111389888" border="0" alt="Stromboli Island" data-caption="Stromboli Island" src="https://freight.cargo.site/w/1000/i/36d3e65e1419e46c2cf626dde4a5a69fbf496defad498cd3c637ff2e82bfff9b/_GLS3679.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/6ce163895382e447f590c2c5535a2a412b8f83682fdbc2231b5c08caf255a5e9/_LS_0962.jpg" data-mid="111389880" border="0" alt="Panarea Island" data-caption="Panarea Island" src="https://freight.cargo.site/w/1000/i/6ce163895382e447f590c2c5535a2a412b8f83682fdbc2231b5c08caf255a5e9/_LS_0962.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/d7c72f60a9f55442f98131f1d284b6f67423eba73590acaca3a5d93fa4683f05/IMG_2823.jpg" data-mid="111389813" border="0" alt="Sicily" data-caption="Sicily" src="https://freight.cargo.site/w/1000/i/d7c72f60a9f55442f98131f1d284b6f67423eba73590acaca3a5d93fa4683f05/IMG_2823.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/e07c4043e28017460749a54daac97412b86a05094dfd77de4ceb00d69d79f2d1/IMG_2252.jpg" data-mid="111389804" border="0" alt="Sicily" data-caption="Sicily" src="https://freight.cargo.site/w/1000/i/e07c4043e28017460749a54daac97412b86a05094dfd77de4ceb00d69d79f2d1/IMG_2252.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/6628675efa4a2dd0c5f4ab304886272a05ad0f6cc87ba0e3372751c0b5fd8a5e/_MG_7829-2.jpg" data-mid="111392288" border="0" alt="Iceland" data-caption="Iceland" src="https://freight.cargo.site/w/1000/i/6628675efa4a2dd0c5f4ab304886272a05ad0f6cc87ba0e3372751c0b5fd8a5e/_MG_7829-2.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/c567a4f14a5f5a0a0a542e1a62c834bbd8280ab93b01e0f59e8f0788ec41e63f/Giuseppe_La_Spada_GLS0780.jpg" data-mid="111392052" border="0" alt="Lipari Island" data-caption="Lipari Island" src="https://freight.cargo.site/w/1000/i/c567a4f14a5f5a0a0a542e1a62c834bbd8280ab93b01e0f59e8f0788ec41e63f/Giuseppe_La_Spada_GLS0780.jpg" /&#62;
&#60;img width="3456" height="2304" width_o="3456" height_o="2304" data-src="https://freight.cargo.site/t/original/i/30aeb90cb7ddf0d4a674c6ac3da8786481ce5abfe13b5912ced991cc0b28c669/IMG_86502_flat.jpg" data-mid="111389873" border="0" alt="Milazzo" data-caption="Milazzo" src="https://freight.cargo.site/w/1000/i/30aeb90cb7ddf0d4a674c6ac3da8786481ce5abfe13b5912ced991cc0b28c669/IMG_86502_flat.jpg" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/2a21de165c6e755647ca3664b9fbbf5cdd8b4fec2aecd85df489d30d7373166a/_LS_0515.jpg" data-mid="111392087" border="0" alt="Certosa Island" data-caption="Certosa Island" src="https://freight.cargo.site/w/1000/i/2a21de165c6e755647ca3664b9fbbf5cdd8b4fec2aecd85df489d30d7373166a/_LS_0515.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/695797095309915b5299de3863e95ccf6a6326fbe9f42455ef73235c0883c4da/IMG_0073.jpg" data-mid="111389841" border="0" alt="Ngonia - Milazzo" data-caption="Ngonia - Milazzo" src="https://freight.cargo.site/w/1000/i/695797095309915b5299de3863e95ccf6a6326fbe9f42455ef73235c0883c4da/IMG_0073.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/1566883665950cb14b9dca536f985ea06c7cbee4b427970bdfa9b9709db3a380/_DSC5975_2018.jpg" data-mid="111397447" border="0" alt="From the flight to New York" data-caption="From the flight to New York" src="https://freight.cargo.site/w/1000/i/1566883665950cb14b9dca536f985ea06c7cbee4b427970bdfa9b9709db3a380/_DSC5975_2018.jpg" /&#62;
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/28a17a576ec242ca23a694b7adc8501ea8ebceb230ea3a74974c2e44e69675b7/_LS_5601.jpg" data-mid="111389830" border="0" alt="Salt lake" data-caption="Salt lake" src="https://freight.cargo.site/w/1000/i/28a17a576ec242ca23a694b7adc8501ea8ebceb230ea3a74974c2e44e69675b7/_LS_5601.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/73d361ee7f88f0aecf6085cbe5db696bb50fe57f1cf36b7baa338674dd4688d7/IMG_9275.jpg" data-mid="111392095" border="0" alt="Stromboli Island" data-caption="Stromboli Island" src="https://freight.cargo.site/w/1000/i/73d361ee7f88f0aecf6085cbe5db696bb50fe57f1cf36b7baa338674dd4688d7/IMG_9275.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/2bb2d082e8266459ca90973e866d713ad361c4bcc8029ba3d7fdc7e92ff81ad5/IMG_9069-2.jpg" data-mid="111389825" border="0" alt="Milazzo" data-caption="Milazzo" src="https://freight.cargo.site/w/1000/i/2bb2d082e8266459ca90973e866d713ad361c4bcc8029ba3d7fdc7e92ff81ad5/IMG_9069-2.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/e7f4119ed119cc26c8f2c66eb39e1a160c95d281103b5313e43a95bf2a76a132/_MG_9078.jpg" data-mid="111397454" border="0" alt="Iceland" data-caption="Iceland" src="https://freight.cargo.site/w/1000/i/e7f4119ed119cc26c8f2c66eb39e1a160c95d281103b5313e43a95bf2a76a132/_MG_9078.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/f01e575795e5aed5190bc8940918ff083331e6ff6cbade86465db5fdf5943263/IMG_9362-2-2.jpg" data-mid="111392488" border="0" alt="Japan" data-caption="Japan" src="https://freight.cargo.site/w/1000/i/f01e575795e5aed5190bc8940918ff083331e6ff6cbade86465db5fdf5943263/IMG_9362-2-2.jpg" /&#62;

 I believe there are “primordial” images that influence us forever. Being born in a seaside town certainly gave me the opportunit to encounter this vast blue expanse at an early age, even if only for its visual impact, and then the connection gradually shifted from the aesthetic to the mystical. 

For us Westerners, the sea is an element of great comparison, allowing us to take our eyes off the anthropised world and aspire to higher dimensions.
I have always been fascinated by this element, even by a simple drop, because nothing like water can explain everything about our existence.




If you would buy a print
	
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		<title>To the Source</title>
				
		<link>https://art.giuseppelaspada.com/To-the-Source</link>

		<pubDate>Fri, 06 Mar 2026 11:00:54 +0000</pubDate>

		<dc:creator>giuseppe la spada artist</dc:creator>

		<guid isPermaLink="true">https://art.giuseppelaspada.com/To-the-Source</guid>

		<description>”TO THE SOURCE”
2025 &#124; video installation



	
L'acqua reagisce al suono? Nel 2010 sono stato nei laboratori di Masaru Emoto in Giappone, ho visto con i miei occhi gli esperimenti e da allora non posso non considerare l'acqua un elemento che reagisce al suono e che si impregna di tutto quello che incontra. Mi ha sempre intrigato per la sua estetica, per la capacità mutante, per la vitalità che esprime col suo movimento e credo sia l'elemento che conosciamo di meno ad oggi. Bisogna tornare alla sorgente.
ENGDoes water react to sound? In 2010, I visited Masaru Emoto's laboratories in Japan, where I witnessed the experiments first-hand. Since then, I have been convinced that water reacts to sound and absorbs everything it encounters. I have always been intrigued by its aesthetics, its mutable nature, the vitality it expresses through its movement, and I believe it is the element we know least about today. We need to go back to the source.
	






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		<title>Sakamoto Fennesz "Cendre"</title>
				
		<link>https://art.giuseppelaspada.com/Sakamoto-Fennesz-Cendre</link>

		<pubDate>Thu, 27 Oct 2016 13:33:49 +0000</pubDate>

		<dc:creator>giuseppe la spada artist</dc:creator>

		<guid isPermaLink="true">https://art.giuseppelaspada.com/Sakamoto-Fennesz-Cendre</guid>

		<description>Sakamoto - Fennesz “Cendre Tour”&#38;nbsp;2008 Italy - Usa &#124; &#38;nbsp;Visual Giuseppe La Spada


	
    
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&#60;img width="1181" height="787" width_o="1181" height_o="787" data-src="https://freight.cargo.site/t/original/i/23635792a3ad7e9f791533e0f4db439917e2d8c4fbfb730aae7ae72c9248483b/IMG_6156.jpg" data-mid="41475126" border="0"  src="https://freight.cargo.site/w/1000/i/23635792a3ad7e9f791533e0f4db439917e2d8c4fbfb730aae7ae72c9248483b/IMG_6156.jpg" /&#62;
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&#60;img width="1181" height="787" width_o="1181" height_o="787" data-src="https://freight.cargo.site/t/original/i/fbca953b2aa955c3a2111a286db0b985ecc65eb4ca82590bee5e2ee787ae4b94/reggia_venaria.jpg" data-mid="41475129" border="0"  src="https://freight.cargo.site/w/1000/i/fbca953b2aa955c3a2111a286db0b985ecc65eb4ca82590bee5e2ee787ae4b94/reggia_venaria.jpg" /&#62;
In 2008, I had the wonderful experience of touring with two great musicians.
Visually translating their music using the element of water was also the beginning
of my research into this element and the relationship between water, sound and us humans.
From there, I began to understand a little of the importance of resonance.




	
KOKORO . FENNESZ + SAKAMOTO 2008 &#124; from 'CENDRE' tour


	ROPA . FENNESZ + SAKAMOTO 2008 &#124; from 'CENDRE' tour



	OTO. FENNESZ + SAKAMOTO 2008 &#124; from 'CENDRE' tour


	



ITALY:
23.06.2008 Anfiteatro Romano // Cagliari
24.06.2008 Teatro Manzoni // Bologna
27.06.2008 Castel del Monte // Andria
28.06.2008 Giardini della Reggia Venaria Reale // Torino
30.06.2008 Villa Aldobrandini // Frascati

USA:
15.07.2008  River To River Festival, The World Financial Center // New York City





LINK live from the tour
&#38;nbsp;&#38;nbsp;

“There is a piece of Italy in one of the most important events of the music worldwide. Today at Ground Zero” (Gazzetta dello Sport)


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